Today, many Hollywood films should come with a warning label to let consumers know that the filmmaker seeks to expose them to a virulent and insidious form of political indoctrination.
I have created a video on the subject for my YouTube channel.
Thursday, February 23, 2017
No More Arrests
Florida Senator Anitere Flores has filed a bill, Senate Bill 196, that will prevent police officers from arresting juveniles for the most common crimes. The bill could not occur at worst time. At present, the seriousness of juvenile crime is at a dangerous high and the public is in desperate need of strict law enforcement policies that will effectively address the problem.
Juvenile criminals who are allowed to go free will just continue to commit crimes until one of their victims is seriously injured.
You can learn more on the subject by visiting my YouTube channel.
Kick Ass!
 |
| Noomi Rapace in Unlocked (2017) |
Women are generally violent in action films as well as comedies. Amy Poehler appears in the trailer for The House as, in her own words, "a badass bitch."
This is the way that Hollywood wants women to be: angry, violent and destructive. In contrast, the men in films now tend to be far less aggressive than the traditional male. This is the reason that, in The House, Will Ferrell is able to explore his feminine side by donning a stylish pair of women's sunglasses.
"Boy, have we got a vacation for you!"
The Westworld television series, which features a number of hyperviolent female robots, got me thinking about the history of the female robot in films and television.
This is very different from the idea of a female robot presented by Ernst Lubitsch in the 1919 German film The Doll.
None of Lubitsch's mechanical women certainly never went around shooting people.
But we live in dark times. Beautiful wind-up women are not suitable to our modern society.
We need female robots who take charge and kick ass.
And, as Westworld shows us, we need female robots that can murder without mercy or hesitation.
I created a video to take apart this subject for my YouTube channel.
Good day, my friends.
Monday, February 20, 2017
Tidbits of February, 2017
Happy days, my friends! I have a few tidbits for you today.
Exorcist II: The Heretic (1977) is the most infamous sequel of all time. Dr. Gene Tuskin (Louise Fletcher) and Regan MacNeil (Linda Blair) are attached together by a "synchronizer," a biofeedback device that allows two people to synchronize their brainwaves. It is, in effect, a mind meld machine. A horror franchise moved into the realm of campy science fiction with this absurd device. In the end, the film was laughable rather than terrifying. It seems at times that director John Boorman was anticipating David Lynch by having his actors provide stilted line readings as a way to create a camp surrealism.
Wikipedia: "The Dunning–Kruger effect is a cognitive bias in which low-ability individuals suffer from illusory superiority, mistakenly assessing their ability as much higher than it really is. Dunning and Kruger attributed this bias to a metacognitive inability of those of low ability to recognize their ineptitude and evaluate their ability accurately."
Lloyd Hamilton was highly respected in his day, which is evidenced by the following quote from Moving Picture World (September 1, 1923, p. 61): "[Lloyd Hamilton's] work of the last couple of years has won him undisputed right to a place as one of the 'Big Four' of screen comedians."
In August, 1927, Hamilton went on location in Huntington Lake to film a supporting role for the M-G-M production Rose-Marie.
The studio was so displeased with the film's leading lady, Renee Adoree, that they scrapped everything that was produced and reshot the film with an entirely new cast.
It was reported in Photoplay (January, 1928, p. 47):
There is a lot of cruelty in this business. And whether it is deliberate or accidental, doesn't hide the fact that it is cruelty, nevertheless. Take the case of Renee Adoree, a capable and good-natured trouper. Miss Adoree was promised the title role in Rose-Marie. She started work in the picture and thought she was giving general satisfaction. But one day, in the costume department, she happened to hear that Joan Crawford was being fitted for costumes for the role. On Friday, so our spies say, Renee was given notice that she was out of Rose-Marie. On Monday, Miss Crawford stepped into the picture.Adoree didn't returned before the cameras until January, at which time she starred opposite John Gilbert in The Cossacks (1928).
I have heard different stories about Adoree's departure from Rose-Marie. I heard that she fought with the director. I heard that she put on weight and her face looked puffy in close-ups. Her weight looks fine in photos taken on the set. Sometimes, it is simply that an actor is not right for a role.
Hamilton's role went to character actor George Cooper.
I discovered a Hamilton gag that I never knew about before. The gag, which was used at the opening of F. O. B. (1923), was described in Exhibitor's Trade Review (May 5, 1923, p. 1133): "To get the Dog aboard the Boy sits in the doorway of the boxcar, with his coattails hanging outward. The Animal springs from the ground, connects and is safely landed."
Hamilton dresses up like President Teddy Roosevelt for Ham the Explorer. Moving Picture World (July 1, 1916, p. 72): "Ham, in a makeup which has him closely resemble a famous Oyster Bay explorer, meets with some terrifying experiences in the land of wild men and pretty maidens. . ."
Neely Edwards' entire village is wiped out by a cyclone in Flying Finance (1923). Chester J. Smith of Motion Picture News wrote, "This Mermaid comedy moves with all the speed of the cyclone which it features and is as full of humorous situations throughout as the air is with debris. Just what havoc a healthy cyclone can accomplish is aptly demonstrated. Houses, animals and people are tossed about with reckless abandon and comedy situations follow each other so closely that it is just one laugh from start to finish. There is no need for any more story than is provided. When that cyclone starts blowing up, no more plot or action is necessary."
Critics often do not agree with the general public about the quality of a film.
Since my recent article about prop money, I have become acutely aware any prop money that turns up in a film.
In God We Trust (1980)
Golden Years (2016)
Bad Santa 2 (2016)
Al St. John could put an energetic twist on standard comedy situations. Here, he attempts to leave our cruel world by hanging himself in Ship Ahoy (1920).
The comedian gets stuck in a revolving door in The Door Knocker (1931).
The hanging business has sustained to modern day. Just look at this scene from Bad Santa 2 (2016).
One of my favorite John Wayne westerns is Rio Bravo (1959).
I sometimes get nostalgic for 1980. It was fun hanging around with curvy, purple-haired girls on Moonbase.
Subscribe to:
Posts (Atom)
.jpg)
