Wednesday, March 6, 2019

More Early French Comedy Films



The 1909 comedy Le monsieur qui a mangé du taureau (English: The Gentleman Who Ate Bull Meat) involves a man who is compelled after dining on a bull steak to behave like a wild bull.  He attacks various people and even attacks a pantomime horse.

 
The police wire authorities in Madrid to send their best bullfighters to apprehend the mad man.


Lucien Cazalis carries a heavy box up a flight of stairs in Jobard, portefaix par amour (1911).


You can see the film by clicking here.

Paul Bertho
During this period, the comedians in French films were in the habit of looking directly into the camera and making a funny face in reaction to the funny developments.  But Paul Bertho did this far more than others.

 
 
 
 
 
 
 
 
 
 
 
 
 

Camera looks in Patouillard paie ses dettes (English title: Bill Pays His Debts) (1911)



Bertho was a fixture in French comedy films from 1908 to 1914.  He played the same character at three different studios, although he was required to vary the character's name for legal reasons.  So, he was called Patouillard at Lux, Gavroche at Ã‰clair, and Calino at Pathé Frères.  He was renamed Bill and later Funnicus for the U. S. market.  

Eye Filmmuseum recently published a number of Bertho's Lux comedies to their YouTube channel.  Six of the films stood out for me.

In the 1912 comedy Gare! Les lions!, Patouillard hides in a suit of armor to protect himself from a lion.

 
 
The title translates into English as Beware!  The Lions!, but the film was released in the United States under the title Bill and The Lions.  You can see the film by clicking here.

Patouillard uses a bear to scare away his creditors in the 1911 comedy Patouillard paie ses dettes (English title: Bill Pays His Debts).

 
 
You can see the film by clicking here

Patouillard takes his wife clothing shopping in Patouillard a une femme qui veut suivre la mode (1912).

 
 

You can see the film by clicking here

Patouillard has trouble getting a squirting bottle of champagne home in the 1911 comedy La bouteille de Patouillard (English title: Bill Buys a Bottle of Champagne).


The bottle has lost every drop of champagne by the time he arrives home.

 
 
 
You can see the film by clicking here.

Patouillard's wife disguises as a man to spy on her flirtatious husband in the 1911 comedy Patouillard a une femme jalouse (English title: Bill Becomes a Favorite with the Ladies).


She chases after her husband to give him a thrashing.


The couple is emotionally devastated in the end.


You can see the film by clicking here.

These are two more recent films that were posted to Eye's YouTube channel.

The 1911 Éclipse comedy Lecture absorbante (English title: Absorbed in Reading) is a remake of a 1904 British comedy called An Interesting Story.  A man reading the morning newspaper as he walks to work collides into people, a horse, a pole, and a wagon.  He tumbles over an old woman (actually a man in drag), which provokes her to attack him with her umbrella.


You can see the film by clicking here

Then we have the 1914 comedy Marius adore les chiens (English title: Marius loves dogs).  Marius walks around town getting dogs to do somersaults and balancing tricks for him.  This understandably annoys the dogs' owners.

 

You can see the film by clicking here.

That's it for today.  I have to run.


Tidbits for March, 2019

Oliver Hardy in The Fighting Kentuckian (1949).


Max Linder engages in a few stock routines in King of the Circus (1924).  He gets stuck in a revolving door. . .



he becomes infested with fleas. . . 



and he gets chased by a lion.



Marcello Mastroianni performs the "trying on hats" routine in Marriage Italian Style (1964).

 

Lon Chaney Jr. returns as The Wolf Man in a 1960 Mexican horror comedy called La Casa del Terror.



The 1971 comedy Les bidasses en folie (English: Rookies Run Amok) stars the comedy troupe Les Charlots, who were essentially a French version of The Monkees.



I liked this recent profile on British talk show host Michael Aspel.  The guests featured in this clip include Mel Brooks and Oliver Reed.



Karl Dane and George K. Arthur build a pre-fab home in a Paramount short called A Put Up Job (1931).  An epic Buster Keaton gag is dismally downscaled in the film.



Acrobatic comedians Charles O'Donnell and Jack Blair recreate their popular stage act in The Plasterers (1929).



Here is the vaudeville comedy team of Tom Howard and George Shelton featured in a 1932 Paramount Pictures short called Breaking Even.

 

Here's Howard again in The African Dodger (1931).

 
 

The host of the "Dark Corners" YouTube channel pointed out a remarkable similarity between a crucial scene in The Monster and the Girl (1941) and a crucial scene in The Godfather Part III (1990).


You can find the full video at https://www.youtube.com/watch?v=QbEN7VS5HLM.

This is a classic Christmas album.


Suicide comedy is the focus of Hunky Boys Go Ding-Dong (2018).

Emo Philips, Randy E. Aguebor and Derek Mears
Here is a very funny British comedy team, Tash and Ellie (Natasia Demetriou and Ellie White).


The first Doctor Who, William Hartnell, and the third Doctor Who, John Pertwee,are featured together in the 1953 British comedy Will Any Gentleman. . .?.



Ouija Seance: The Final Game (2018)


The Swimming Pool (1969)


La Horse (1970)

 
 

A tough farmer (veteran tough guy Jean Gabin) battles heroin dealers who have been using his grandson as a courier.



Strip-tease (1963)



Quelques messieurs trop tranquilles (English title: Some Too Quiet Gentleman) (1973)

IMDb User The Belgian Bear:
The sleepy little village of Loubressac is well on its way to becoming a ghost town.  To save the town, the local citizenry hatch a plan to attract tourists.  To their horror, the plan misfires when a group of hippies are the first to move in.  The hippies' free and unconventional ways quickly upset the staid lives of the locals.  Then one of the locals is found murdered, and suspicion inevitably falls on the newcomers.  Eventually, the locals and the hippies join forces to solve the mystery, and in the course of their adventures learn to respect each others' ways.


François Truffaut dismissed The Wicked Go to Hell (1955) as "vulgar," but the film has attracted more than its share of fans over the years.



The film begins as a prison drama, but a prison break occurs halfway through the film and the convicts who escape enter the cynical and sexual realm of film noir.


The convicts, Macquart (Henri Vidal) and Rudel (Serge Reggiani), figure to use a beach shack as a hideout.  The idea doesn't go over too well with the shack's owner (Guy Kerner), who resists the surly intruders only to be shot dead for his efforts.


The man's grieving girlfriend, Eve (Marina Vlady), will not let this crime go unpunished.


She uses her feminine charm to play the two brutish men against each other.


The men never stand a chance against her manipulations.


The Letterboxd website reports, "Not only do these heels go to Hell, but they do so with a spectacular flourish."